Only Old People on the Peterstraße

Sonja and Leyla and I were just discussing yesterday about how the Peterstraße is marketed as a charity organization for seniors with a low income, but in reality they also rent out their apartments to students.

The day we were at the Hamburg Museum, Fany came to me with an article from the December issue of Hamburg – Das Magazin aus der Metropole about an opera singer who  lives in the one of the apartments there.  I only had a chance to glance over it at the time and then Adrianna tore it out of her copy of the magazine and brought it to me when classes started back up in January.  Right there in black and white, the article discusses how several top classical musicians live in the apartment complex.

This got me to wondering just how many old people really live on the Peterstraße.  Last night, around 4 in the morning, I was thumbing through the December issue of Quartier Kurier and on page 32, I found part one of an article titled Wer wohnt in Toepfer-Quartier? Eine Spurensuche.

According to the article, there are 249 apartments, of which 142 are single-bedroom.

Demographics:

  • one-third below the age of 31
  • nearly one-third above the age of 60
  • the rest in the middle

If you assume each single apartment is inhabited by only one person and each two-bedroom apartment by two, you come up with roughly 356 tenants or about 118 seniors.

The article about the opera singer together with the article in the Quartier Kurier celebrating the number of yuppies in their complex screams GENTRIFICATION to me.  And even scarier – gentrification under the name of a tax-deductible non-profit organization.

Postcard of Peterstraße from 1904

I wish I could remember the name of the guy who lectured us at the Hamburg Museum.  He was talking about working on a exhibition of postcards and how it’s interesting to see how a city is ‘sold’ to the world through the selection of postcards of available.  After the tour, I ran into him and asked if there were postcards of Peterstraße in his collection and he said oddly enough, no.

Did a bit of research and found this one on E-Bay for €14.  I think I’ll buy it and try to go talk to him some more.

 

Hammer Librarians at the Hamburg Museum

Jackpot!

I love the librarians at the Hamburg Museum!

I wanted to know more about the history of the Peterstraße for my history essay:  How far back could I trace the Peterstraße and what was known about it? I threw my Fragestellung questions at them and within seconds, I had three great books in my possession:

  1. Die Hamburger Straßennamen from 1989.
  2. Historische Topographie der Freien und Hansestadt Hamburg… from 1880.
  3. Hamburg-Lexikon from 2007.
There’s no copy machine and no scanner available at the Hamburger Museum.  So, I started typing excerpts into my laptop.
I started with the Hamburger Straßennamen, first copying the three sentence history of the Peterstraße, then decided to also type up the history of the surrounding streets Neanderstraße and Hütten.
Next, I started working on the book from 1880.  It’s unbelievable that I’m allowed to touch a book so old.  It’s hard to read, typeset in old German Fraktur calligraphy.  I only made it through the first run on sentence, spending most of my time typing up entries from the Hamburger Straßennamen referenced in the first sentence.
Regardless, it was fascinating to read about the Kohlhöfen, a street named after the line of huts alonside a row of cabbage fields on the outskirts of the city.  And the Steinweg, a road called the ‘stone way’ because it was one of the first roads important enough to be pave with stones.  My imagination was swimming in images.
I wondered if I should write an English Wiki article on Peterstraße when I’m done.
Anyways, guessing and excerpting from Fraktur calligraphy was taking forever, so I decided to jump to the Hamburg-Lexikon to type up the two entries on Neustadt.  I only had 30 minutes left.  I managed to get through about half of the first entry.
After the library at the Hamburg Museum closed, I ran over to the StaBi and this is where I really hit the Jackpot.  This book from 1880 had been scanned in as a PDF and was available for download as an e-book which I could read at home at my leisure!
The Hamburger Straßennamen, unfortunately, was not available at the StaBi, but is only available at the geography library with Präsenzbestand.  I didn’t want to have to run back and forth between libraries, so I just bought the lastest edition from Amazon.
Great day of research!  I never thought history could be so fun.

Ha ha, Two Books!

Just before Christmas break, we had to turn in our Fragestellung for our history paper. The only requirement for the subject of the history paper we’re supposed to write is that it must be related to Hamburg.  For efficiency, I chose a theme also related to my focus of research for my other class Urbanes Labor: the Peterstraße.

Our history professor had also hoped our essay would be inspired from our field trip to the Hamburg History Museum.  And mine was.  I saw a 200-year-old map of Hamburg from 1813 during its siege by France and lo and behold, Peterstraße existed back then:


So, I decided my Fragestellung would be: Since when has the Peterstraße existed? How far back can its history be traced? How did Peterstraße get its name? Has the street always been called the Peterstraße or did it have a different name before?

But Friederike or whatever her name is didn’t like my question.  She said that our second requirement was to name four sources, not three, not five, but exactly four.  Two must be from a printed source like a book or a magazine.  The other two must be online sources.  She said I wouldn’t be able to find any books so specific to Peterstraße and that I needed to broaden the scope of my essay.

I was a bit pissed off.  I won’t write here what I called her in my head.  I was angry because a) I don’t want to broaden my research; I want to study the Peterstraße and b) that woman thinks I’m stupid.  After all my participation in class, she hasn’t read me right yet?  After they asked which of the 60 of us had ever touched the Leonardo Benovolo book and I was the only one who raised my hand, she still underestimates what I can do?  That just pisses me off when someone treats me like I’m stupid after I’ve demonstrated over the course of three months that I’m not. Typical northern German I’m-better-than-you attitude.

Anyways, I already had one book in my pocket: Die Hamburger Peterstrasse and after spending a little bit of time at the StaBi yesterday, I now have another: Peterstrasse, Ein Einmaliger Fall.

So, ha!  Now, I’ve got two books!

Field Trip #4 Notes Part 2

December 9th, 2012 from about 1:30 PM until about 4:30 PM

Currently sitting at the Thämers Cafe and Pub to write notes.

I have so much to write that I’m terrified I’m going to forget something, so I’m just going to write.  Brain dump.

Part 1 of the notes I scribbled into my notebook for our graphic design class.  I plan to scan them in and type them up as a separate post.

I’m going to look through my 147 photos and blog about everything I can remember chronologically.

After I left Dat Backhus, I started on my journey to photograph every instance of graffiti I could find in the Peterstraße and the immediate surroundings.  I decided to walk into Junge+Hay and ask if they knew how long the four pieces of graffiti had been there.  I explained what I was doing and we chatted.  The guy working there said it’s been there for at least 6 months or so.  The woman said there’s a can of white paint in the basement because the inner wall of the galley way is constantly being graffitied and the painter has to make several trips to clean it up.

They were a little suspicious in the beginning and asked I wanted to make some graffiti somewhere and so I began to explain what I was doing, studying the Peterstrasse, made guesses and potential conflicts, thought about graffiti, noticed there wasn’t any and wondered if it’s just cleaned up really fast, etc.

The man told me I should visit the office on the Peterstrasse and ask there if they have ever had problems with graffiti. I mentioned I had already been there several weeks ago when I first started my research but was disappointed by the man working there in the office.  That I keep getting conflicting stories about the history of the Peterstrasse.  That the first two women I ever met standing on the street there told me the facades were collected from around the city to demonstrate what Hamburg looked like before the Great Fire and the 2nd World War.  But that the guy in the office told me everything was fake, just rebuilt based on original engineering plans.  The guy in the office told me nothing was old except for the Brahms museum being the only original building. I think it was even him who first mentioned the Disney critique.

The man working at Junge+Hay then offered, “Well, Mr. Toepfer is one of our regular customers and comes in every Monday morning.  We could ask him.”

He took down my name and phone number and said that Mr. Toepfer is an extremely nice person.

Around 3:14 after taking 12 photos of graffiti, I started photographing the space around the graffiti.  This comes from the conversation with the couple at Junge+Hay.  I had asked why there is no graffiti on the Peterstrasse.  The woman believes it’s too open and too easy to be seen.  The man added that there are lots of windows on the Peterstrasse.  True, I thought.  Right there where the graffiti I had asked them about was surrounded by business which are usually empty evenings and weekends.

For the graffiti map – it would be good not only to mark where graffiti is located, but maybe also to show which buildings are residential, which are businesses.  What to do with hotels?  Maybe a third category for hotels which are both business and temporary residences.

So, yes, I started taking pictures of the graffiti and sometimes of the space surrounding the graffiti to support the idea that optimal places to graffiti are enclosed safe feeling spaces where if feels safe from being interrupted, caught, seen.

Another part of our conversation was also about the Motel One and the brand new apartment complex where Inka and Christian live.  I forgot what they’re called.  I’ll have to look at the Google street view pictures one more time. Anyways, they talked about how the apartment complexes were only supposed to be 6 stories high but then ended up being 8 stories high.  Something about light and shade laws.  They said something similar happened with the Motel One who wanted 14 stories in the beginning.  Later, I took a photograph of the Motel One and saw they only accomplished getting 6 stories.

The man from Junge+Hay said in the basement of the former Haspa there was a huge safe with walls several meters thick.  They claimed they would only need to drill for a couple of weeks, but ended up needed several months to finally get it removed.

Around 3:24 I took a few pictures of construction going on the Hütte street.  I intend to use them for my parking map.

For the graffiti map, I thought about marking the schools.  There seem to be about 3 schools in the neighborhood.

I saw one white house with no graffiti sitting between two brick buildings with graffiti.  This removes the theory that graffiti artists and taggers only prefer white backgrounds as a canvas to paint on.

I saw a tiny little fachwerkhaus on the Hütte and took a picture of it.  Made me think about drawing a map of Hamburg with fachwerkhäuser to show where they are in the city and maybe show how important it is to have something like Peterstrasse.

Around 3:47 I took a picture of some stone engravings and an old lamp.  Still going on the idea of the ‘renaissance’ neighborhood.  Peterstrasse doesn’t just stop at Peterstrasse but maybe influences surrounding buildings.  The carvings were mostly something for me to use when practicing working in Adobe Illustrator.

Eventually I did find graffiti on the Fachwerkhäuser on the corner of Peterstrasse.  So Peterstrasse isn’t exactly free of graffiti.  It’s just really small and you have to look closely for it.

I stopped at the library and they were closed.  Wednesdays and Thursdays until 7pm.

Phone died around this time.  Later, I saw it still had 40% battery power and had not run out of juice but had simply just crashed.

Saw a curtain I want to duplicate.

Saw some more graffiti at the Haspa and thought about making a map with the Umherschweifen route from today.  I really like Sonja’s idea of creating a base map and just reusing it for everything we study.  It would make things uniform.

Luckily, I remembered I had a second camera with me.  Started getting dark and pictures got a bit blurry, but I think I got everything.

I started taking pictures of stickers, another method of graffiti and maybe want to re-examine the neighborhood at a later date with stickers in mind.

I ended up walking by the Lindner Hotel and decided to check out the hole in the ground.  Could this be the former well which was removed?  I read somewhere that a well was removed?  According to the woman at reception, the hole is part of the design and architecture of the hotel.  I don’t believe her.  My experience of people in Hamburg is that they would prefer to bluff than say they don’t have an answer.

Started taking a picture of dog shit and thought of my map.  Need to do this with the iPhone next time so that I have the GPS location information.

And that’s it.  Wanted to write this at the Irish Rover, but they were closed. At Thämers, also from 1800s.  More later.

On to Leyla’s to play Hamburgum.

Will Hamburgum be fun?

I just started reading Casual Game Design, which I borrowed from the IT library in Stellingen.  Already in the introduction, on page xiii, it says,

“you can’t become a game designer without playing games and trying to pick them apart.”

So, it’s good that tomorrow afternoon, after Sonja and I do some field research on Peterstraße, we’re meeting up at Leyla’s new apartment to play Hamburgum.  Timo will be there. Maja was invited but had to cancel last minute.

Questions to focus on tomorrow:

  1. Is Hamburgum fun?
  2. Why does this game work?
  3. Why does this game not work?
  4. What is the core mechanic of the game?

I’m not sure how to organize it, but I think I’d like to play Hamburgum several times with different groups of people.  I want to watch and analyze how different groups of people interact with the game.

Oh, before I forget, I bought a second board game tonight:  It’s called Alaarm!  It takes the atmosphere of the Santa Fu prison and places into the game.  It’s supposed to be like Mensch Ärger Dich Nicht but in reverse.

“As we talk about each game, I … encourage you to … find the game and play it.” ”You have to play a game … in order to understand it.”

Is the Palace of Versaille Disney?

3:52 am.  I’ve got insomnia and I’m using it to preview Dr. Eisinger’s History lecture tomorrow. According to his slides, one central element of the baroque period was an emphasis on purely geometric shapes in urban design / urban planning.  The street itself is very geometric and forms a perfect rectangle.  From memory, the complex is basically a triangular, but whether this is geometric enough?

Eisinger includes a drawing of the Palace of Versaille in 1688.  Hello, can you say Disney?  Have a look at it below. Can you get any more planned and well-thought out?  Makes me wonder if the Peterstraße is all that fake.

The only criticism I can think of at the moment is that the residential neighborhoods wouldn’t have had such wide boulevards as those in a royal palace.  Something to research.